这部电影翻拍自大B 1973年主演的同名电影，影片以印地语和泰卢固语两种语言同时发行。主要讲述了ACP的维杰·卡纳警官与石油秘密犯罪组织斗智斗勇的故事，其中蕴含了亲情的悲离，爱情的甜蜜，还有友情的互助。柔和与硬朗的风格并行，值得一看。

杨枫（刘达 饰）对程宇（张培 饰）的暗恋已有一年多的时间。然而，由于一些意外的情况，他们成为了好朋友。在这一过程中，杨枫无意间得知了程宇已经有了女朋友。面对这个现实，杨枫决定隐藏自己对程宇的感情，并默默地将自己的小秘密深埋在心底。 　　然而，命运却让程宇发现了杨枫对他的喜欢。面对这突如其来的事实，他们的关系开始发生了微妙的变化。两人开始了一段地下的恋情，但他们面临着许多障碍和困扰。除了程宇已有的女友之外，他们还要面对自己内心的种种枷锁和束缚。这些限制和压力挑战着他们的感情，使他们陷入了困境。他们是否能够突破这些困难，摆脱内心的枷锁，追求真正的幸福？

杨枫（刘达 饰）对程宇（张培 饰）的暗恋已有一年多的时间。然而，由于一些意外的情况，他们成为了好朋友。在这一过程中，杨枫无意间得知了程宇已经有了女朋友。面对这个现实，杨枫决定隐藏自己对程宇的感情，并默默地将自己的小秘密深埋在心底。 　　然而，命运却让程宇发现了杨枫对他的喜欢。面对这突如其来的事实，他们的关系开始发生了微妙的变化。两人开始了一段地下的恋情，但他们面临着许多障碍和困扰。除了程宇已有的女友之外，他们还要面对自己内心的种种枷锁和束缚。这些限制和压力挑战着他们的感情，使他们陷入了困境。他们是否能够突破这些困难，摆脱内心的枷锁，追求真正的幸福？

This experimental Filipino movie is far from a total success, but at least its in-your-face strangeness will make it somewhat interesting for those interested in seeing films of a different sort. The start is akin to a test of endurance for cinephiles, as the camera stands still showing nothing but a couple sleeping in the floor of a hut for the first 15 minutes (I'm not making this up, I looked at my watch). Eventually, the woman, who is unable to sleep, wakes up the man at her side, telling him to tell her a story so she can sleep. He complies with a rambling monologue about the suffering of the Filipino people. The film then moves on to the better second part, where fake footage in the style of silent movies is shown. This shows life in the Philippines supposedly during the end of the colonial period through a series of vignettes. These vignettes are mildly humorous (one shows a number of children looking at an eclipse with gaping mouths). Eventually, something akin to a story comes out of the movie, as revolutionaries meet to plan rebellion from Spanish rule. It's hard to compare this movie with other films, though its fetishism of silent movies recalls the work of Guy Maddin. I found it also reminiscent of a better movie, "Moeder Dao" in which real documentary footage of colonial life in Indonesia was shown.

This experimental Filipino movie is far from a total success, but at least its in-your-face strangeness will make it somewhat interesting for those interested in seeing films of a different sort. The start is akin to a test of endurance for cinephiles, as the camera stands still showing nothing but a couple sleeping in the floor of a hut for the first 15 minutes (I'm not making this up, I looked at my watch). Eventually, the woman, who is unable to sleep, wakes up the man at her side, telling him to tell her a story so she can sleep. He complies with a rambling monologue about the suffering of the Filipino people. The film then moves on to the better second part, where fake footage in the style of silent movies is shown. This shows life in the Philippines supposedly during the end of the colonial period through a series of vignettes. These vignettes are mildly humorous (one shows a number of children looking at an eclipse with gaping mouths). Eventually, something akin to a story comes out of the movie, as revolutionaries meet to plan rebellion from Spanish rule. It's hard to compare this movie with other films, though its fetishism of silent movies recalls the work of Guy Maddin. I found it also reminiscent of a better movie, "Moeder Dao" in which real documentary footage of colonial life in Indonesia was shown.

Netflix公司正在筹备电影《夜晚的灵魂》，影片由罗伯特·雷德福和简·方达主演。《夜晚的灵魂》根据同名小说改编，讲述两位步入老年的男女发生了爱情的故事，类似于《廊桥遗梦》。

Addie Moore（方达）意外地拜访了Louis Waters（雷德福），尽管他们已经做了几十年的邻居，之前却几乎都没有什么接触。孩子们都不在身边，孤身一人住在寂…

《灵魂的救赎》讲述一个在地震中失去孩子的家庭如何接受现实，重新振作的故事。电影刻画了两对中年夫妇，一对是在地震中失去独生子的打工者夫妇，另一对则是各自忙于工作对儿子缺乏关爱和照顾的精英夫妇，他们分别陷入“无法面对失去”和“不懂得珍惜所有”的精神困境。

本片由村田实执导、牛原虚彦担任编剧、提倡新剧运动的小山内薰做艺术指导和统筹，是曾经松竹映画的内部独立制片部门——松竹电影研究所（小山内薰领导）仅存的一部电影（共拍摄了三部）。 　　佐藤忠男：“这部影片对同时发生的三件事进行交叉剪辑，插入回想场面等，对电影感的叙事法下了相当的功夫。作品的完整性倒在其次，知识人应该在下等的电影界点燃起良心的灯火，这部作品作为这种行动的证明，而成为一个大话题，使得知识层去关注日本电影，在这个意义上它对日本电影的进步做出了贡献。